SMU DataArts - Cultural Data Profile


Appendix B: Literature Review and References

Abbott, K.W., J. F. Green, and R. O. Keohane (2013), “Organizational Ecology and Organizational Strategies in World Politics,” Discussion Paper 2013-57. Cambridge, Mass.: Harvard Project on Climate Agreements, August. 

Anderson, G. (2018), Black Theatre Survey 2016-17: A Report on the Health of Black Theatre in America, retrieved from 5c71f3d5104c7b43f75d04d3/ 1550971869929/Black+Theatre+Survey+2016-2017.pdf. 

Cuyler, A. C. (2021), Access, diversity, equity, and inclusion in cultural organizations: Insights from the careers of executive opera managers of color in the U.S. Abingdon, Oxon and New York: Routledge. 

Dao-Shah, A. T., and K. Faust (2018). Mapping small arts & culture organizations of color in Oakland. Oakland, CA: Creative Equity Research Partners Retrieved from 

Dávila, A. (2012), Culture works: Space, value, and mobility across the neoliberal Americas. New York: NYU Press. 

Hamel, G. and L. Välikangas (2003), “The Quest for Resilience,” Harvard Business Review, September, retrieved from 

International Association of Blacks in Dance (2020), The Black Report: What You Thought You Knew About Black Dance, retrieved from 

Keifer-Boyd, K., F. Bastos, J. E. Richards, A. Wexler (2018), “Disability Justice: Rethinking “Inclusion” in Arts Education Research,” Studies in Art Education, 59(3): 267-271. 

Kim, W. C. and R. Mauborgne (2009), “How Strategy Shapes Structure,” Harvard Business Review, Sept., 73-80. 

Miller, C. (2001), Linking Mission and Money, Nonprofit Finance Fund, retrieved from 

Nishimura, A., R. Sampath, V. Le, A. Mahar Sheikh, and A. Valenzuela (2020). “Transformational capacity building.” Stanford Social Innovation Review, Fall, 31-37. 

Para Matlon, M., I. Von Haastrecht, and K. Wittig Mengüç (2014), Figuring the Plural: Needs and Support of Canadian and US Ethnocultural Arts Organizations, School of the Art Institute of Chicago. 

Piepzna-Samarasinha, L. L. (2018), Care Work: Dreaming Disability Justice, Vancouver: Arsenal Pulp Press. 

Secaira, M. (2019), “Abigail Echo-Hawk on the art and science of 'decolonizing data',” Crosscut, retrieved from 

Sidford, H. and A. Frasz (2017), Not Just Money: Equity Issues in Cultural Philanthropy, Helicon Collaborative, July, retrieved from 

Thomas, R., and Z. G. Voss (2021), Buffering Against Uncertainty: Working Capital and the Resiliency of BIPOC-serving Organizations, SMU DataArts, Retrieved from dataartsbufferingagainstuncertainty_35.pdf ( 

Voss, Z. G. and G. B. Voss (2021), The Alchemy of High Performing Arts Organizations, Part II: A Spotlight on Organizations of Color, SMU DataArts, Retrieved from 

Voss, Z. G., G. B. Voss, A. Louie, Z. Drew, M. Rubio Teyolia (2016), Does ‘Strong and Effective’ Look Different for Culturally Specific Arts Organizations? SMU DataArts, Retrieved from  

Yancey Consulting (2018), What Are the Paradigm Shifts Necessary for the Arts Sector to Nurture More Sustainable THRIVING Institutions of Color? Retrieved from 

Zeithaml, V. A., B. J. Jaworski, A. K. Kohli, K. R. Tuli, W. Ulaga, and G. Zaltman (2020), “A Theories-in-Use Approach to Building Marketing Theory,” Journal of Marketing, 84 (1), 32-51.