July 16, 2026
A new analysis of 10 U.S. cities reveals sharp divergence in nonprofit arts finances — and shows that local public investment is linked to sector health.
Arts and cultural organizations anchor city life — creating gathering spaces, generating economic activity, and safeguarding public access to culture. But since 2019, they've weathered pandemic disruption, inflation, shifting audiences, and changing funding patterns in very different ways from city to city.
City Arts Sector Trends: Divergence and Resilience Across Ten U.S. Cities (2019–2024) examines the finances and operations of the nonprofit creative sector in 10 geographically diverse U.S. cities — Atlanta, Cleveland, Des Moines, Houston, Los Angeles, New York City, Philadelphia, Phoenix, Sacramento, and Seattle — drawing on data from more than 4,400 nonprofit cultural organizations.
We found that as federal relief funding waned, the gap between the strongest- and weakest-performing cities widened sharply. And while local public investment covers only a small share of most organizational budgets, it's linked to stronger financial performance and higher attendance across a city's arts sector.
Cities are diverging fast. The gap between the highest- and lowest-performing cities' average revenue widened 117% from 2019 to 2024.
Public investment matters for sector health. Local government support covered only about 5% of average organizational expenses in 2024 — but cities with sustained or growing public arts funding saw stronger financial and attendance outcomes.
Audiences haven't fully come back. 40% of organizations grew attendance from 2019–2024, but 54% saw meaningful declines. Cohort-wide, attendance remains 44% below 2019 levels, with 31% fewer programs offered.
Pressure isn't evenly spread. Mid-sized organizations, performing arts groups, and downtown institutions face the steepest ongoing pressure — driven by revenue declines, staffing structures, and facility costs.
The report draws on data from more than 4,400 nonprofit cultural organizations, assembled through the City Arts Data Exchange, a joint initiative of SMU DataArts and Bloomberg Associates that brings together a growing cohort of local arts agencies aligning data collection efforts to support shared learning.

Executive Director, SMU DataArts
“Resilience isn't evenly distributed — and neither is public investment. Where local funding is stronger or growing, organizations are better positioned to adapt; where it has weakened, the strain is increasingly visible.”